A WRITER IN MANILA
There’s nothing that drives you further down into introspection like the waning high of your birthday that’s almost about to end (except probably a close brush with death, a bus speeding at 100 kilometers per hour barely colliding with the car you’re in at a highway—but that’s another story.)
The other day, I was thinking about Ate Belle and remembered that it has been almost four years since she died. I was deciding on when I was going to fold clothes when the memory of her in our house, calmly sifting through the freshly laundered shirts and sheets, came back to my head.
I really should’ve paid attention to how she did it. Then again, folding clothes is one of the chores which I absolutely don’t enjoy. Some of my friends, like Mela and Jessica, find it therapeutic; I find it dull and repetitive. I’d rather cook or do the groceries than be stuck folding clothes for what feels like an eternity.
A few days ago, my friend Nancy and I were talking about how we’re all adjusting to this new normal (a term used to exhaustion that it is already grating on my ears), as we carried our groceries back to our condos. Yes, we were lucky–alive and well, not yet driven to the brink of desperation, like those spilling out in the streets and being threatened to be shot down by the police.
But to be alive is not just the goal, I argued. We might as well be living in some weird fictional dystopian place…or North Korea. Being a hermit and being a solitary prisoner may seem similar superficially, but the difference lies in the element of choice.
Suffering, I thought–as I bit on the half-eaten mango that I had stored in the refrigerator yesterday, is inevitable. There was nothing new to this concept: Buddhism’s First Noble Truth discusses the dissatisfaction that arises from changing states–hence, suffering is but a discomfort from a present situation which isn’t exactly what you expect.
But what I was wondering about was whether suffering was diminished the earlier one accepted it.
Last night, I watched Netflix’s “The Platform” (El Hoyo), a dystopian science-fiction film which explores class warfare and how a threat could force people to cooperate.
I’ve been mulling about how the COVID-19 pandemic has further exposed the entrenched inequalities in our society. Already we’re seeing how the less privileged are made to choose between dying from hunger or dying from the disease, while the rich continue to believe that these people are merely being stubborn–lacking the discipline that is demanded by this enhanced community quarantine imposed by the Philippine government, when in fact, it is the very privilege these rich people have that allow them to easily follow the rules.
A few years back, right after I graduated from college, I had to be confined because of depression.
In the facility, our days were regimented. We (the other patients and I) woke up at 6 in the morning, stretched for a bit, ate breakfast, did a morning activity that lasted for an hour or so, had lunch, then took a break. We had another activity in the afternoon, and then a quick snack, then a break before dinner. At 9 pm, they would turn off the lights.
During that period of confinement, I got to meet another patient, who was reading a book on Buddhism, which I ended up reading because I was bored with the routines. I remember being engrossed with the part about anattā, which is the Buddhist concept of non-self.
“They’re rich, but still nice.”
– “They’re nice because they’re rich.”
Jon Bong Hoo, “Parasite”
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During my freshman year in high school, my older brother and I had to be sent off to a public high school in Quezon City after my parents incurred a huge debt because of a failed business. The financial loss meant that they could no longer afford to send us to the private school near our home in Las Piñas. My aunt convinced my mom that the high school near her place had better standards than the usual public schools, and so my mom decided that we would live with our aunt and our cousins so we could study there.
As a kid, I felt that it was all a game. I imagined how that year was going to be fun, and how I’d have interesting stories to share to my friends back home once I came back to my old school.
My new classmates saw me and my brother as a curiosity. I remember how they would ask me questions about my old school–why I had to uproot myself from that life in exchange for this strange one. I vaguely remember dodging some of those questions, but what I could recall was how I found it amusing that they would speak to me in English, as if they expected me to be beyond speaking in the vernacular.
